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02 - Music 113 Program 2 Professor Marc Fink [email protected]

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Music 113, Program 2 Professor Marc Fink mdfi[email protected] [email protected] Laura McGlaughlin , clarinet Mi-Li Chang , flute and piccolo Julie Page , piano Hazim Suhadi , piano Thursday, June 21, 2012 7:00 p.m. Rennebohm Auditorium, Music Hall Program Choros No. 2 (1924) Heitor Villa-Lobos (1887-1959) (for flute and clarinet) Grand Polonaise, op.16 (1831) Theobald Boehm (1749-1881) (for flute and piano) Sonatina for Clarinet and Piano (1981) Joseph Horovitz (b. 1926) I. Allegro calmato II. Lento, quasi andante III. Con brio Syrinx (1913) (solo flute) Claude Debussy (1862-1918) Little Suite of Four Dances for Eb Clarinet and Piano (1985) William Bolcom (b. 1938) I. Rag II. Apache-Jungle III. Quasi-Waltz IV. Soft Shoe Four Waltzes (arr. Lev Atovmyan) Dmitry Shostakovich (1906-1975) I. Michurin Suite, op. 78a: Spring Waltz II. Bolt, op. 271: Waltz III. The Return of Maxim, op. 45, Waltz No. 3 IV. The Gadfly Suite, op. 79a V. La Barrel-Organ Waltz
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Tarantella, op. 6 (1857) Camille Saint-Saens (1835-1921) Quiz Questions: 1 . What musical idioms heavily influence Joseph Horovitz’s third movement of the Sonatina for Clarinet and Piano? A. Folk
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  • Spring '12
  • HARVEY
  • Clarinet, Opera composers, Maurice Ravel, 20th-century classical composers, Joseph Horovitz, Horovitz C. Bolcom D. Shostakovich

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02 - Music 113 Program 2 Professor Marc Fink [email protected]

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