103_handbook - 103 HANDBOOK The Analysis and Performance of...

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103 HANDBOOK The Analysis and Performance of Literature GEN_CMN 103 (all sections) Paul Edwards seventh edition © 2004 published and distributed by the Department of Performance Studies Northwestern University 1920 Campus Drive Evanston, Illinois 60208-2260
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103 Handbook • 2 TABLE OF CONTENTS Acknowledgements and Dedication. ..................................................................... 4 1. The Analysis and Performance of Literature . .................................................. 5 1.1. Overview of the Course . ........................................................................................ 5 1.2. Browsing. .............................................................................................................. 6 1.3. Performance Studies. ............................................................................................ 6 1.4. Courses in Performance Studies. ........................................................................ 10 1.5 Papers. ................................................................................................................ 10 1.6 Terms and Techniques. ....................................................................................... 14 2. Approaches to Performance: Dramatic Analysis and Other Key-terms . ......... 15 2.1. Approaches to Performance . ............................................................................... 15 2.2. Dramatic Analysis: Approaching the Poem as Drama. ........................................ 15 2.3. Dramatic Analysis: Problems and Challenges. .................................................... 17 2.4. Rehearsal, Reperformance, Memorization. .......................................................... 18 2.5. Literary Text, Performance Text. ......................................................................... 19 2.6. Terms and Techniques. ....................................................................................... 20 3. Matching: Performing Literature as a Creative Act . ...................................... 21 3.1. General Considerations . ..................................................................................... 21 3.2. Felt Sensing, Empathy, Kinesthesis. ................................................................... 21 3.3. Matching. ............................................................................................................ 24 3.4. The Presence of Literature . ................................................................................. 26 3.5. Projection. ........................................................................................................... 30 3.6. Terms and Techniques. ....................................................................................... 31 4. Performing Poems. ........................................................................................ 32 4.1. General Considerations . ..................................................................................... 32 4.2.
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103_handbook - 103 HANDBOOK The Analysis and Performance of...

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