Period
Type of
Piece
Instruments
Meter/Texture
Composer
Example
Characteristics
Medieval
Transition
to
Renaissance
Gregorian
Chant
Sequence
Motet
Mass
Settings/
Secular
Secular
Voice
Voice
Voice
Voice
Voice
Monophonic
Inexact
Repetition
Simple
Triple/4
th
&5
th
Duple/Polyphonic
3/6, Sweeter
Sound
Anonymous
Hildegard von B
Unknown
Mauchaut/Landini
Dufay
Kyrie,
Credo
O Ecclesia
Ave Virgo
Regia
Messe de
Notre
Dame/Ecc o
la P
Vergine
Bela
Messe= A kyrie
credo
Sweeter/Fuller
Sound
Renaissance
45
45
46
Motet
Secular
French-
Chanson
Secular
Italian
16
th
Century
religious
Music
Early
Italian
Madrigal
Late
Italian
Madrigal
English
Madrigal
Voice
Voice
Voice
Voice
4-5 Voices
5-6 Voices
5-6 Voices
Beg. In
homorhythm
Long-short-short-
Long
Mass Ordinary
Homorythmic,
lots of repetition
Half Step notes
Josquin des Prez
Josquin de Prez
Josquin de Prez
Palestrina
Jacob Arcadelt
Carlo Gesualdo
Thomas Weelkes
Tu Solus,
Mille
Regretz
El Grillo
Missa Nigra
Sum, Kyrie
Ill Bianco e
dolce cigno
Io parto
Thule the
Period of Co
Doule
Mémoire
Beginning Low
Notes
Abb II: C:
IIA
Pale wrote over
100 masses
Death=sexual
Word-Painting
Major-word
Painting

46
46
46
16
th
Century
Dance
Music
16
th
Century
French
Chanson
Coranto
Pavane
Galliard
4 voices: sop,
alto, ten, bass
Quick Dance
Slow dance
Fast
Short, simple
Simple Triple
Duple
Compound Duple
Pierro
Sandrin=music,
King François
I=words
Based on
Josquin’s
Mille
Regretz
French, aabCC’
Baroque
Operas
58
58
58
58
61
61
Early
Opera
Lake
Opera
Overture
Recitative
Secco
Aria
Oratorio
Prelude
Fugue
Orchestral
Harpsichord
Instrumental
accompaniment


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- Fall '08
- MILLER
- Music, Mozart, ba da da