The dinosaur would have d the amount of muscle tissue

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Unformatted text preview: n able to generate almost instantaneously, via is directly related to its size anaerobic glycolysis, the energy of 3,000 humans at (E) the size of a vertebrate is proportional to maximum oxidative metabolic energy production. the quantity of energy it can utilize 3 study of his compositions reveals that Beethoven o verturned no fundamental rules. Rather, he was an 50 incomparable strategist who exploited limits—the rules, forms, and conventions that he inherited from predecessors such as Haydn and Mozart, Handel and Bach—in strikingly original ways. (466words) Extraordinary creative activity has been characterized as revolutionary, flying in the face of what is established and producing not what is acceptable but what will Line become accepted. According to this formulation, highly 5 creative activity transcends the limits of an existing form and establishes a new principle of organization. However, the idea that extraordinary creativity transcends established limits in misleading when it is applied to the arts, even though it may be valid for the sciences. 10 Difference between highly creative art and highly creative science arise in part from a difference in their goals. For the sciences, a new theory is the goal and end result of the creative act. Innovative science produces new propositions in terms of which diverse phenomena can be 15 related to one another in more coherent ways. Such phenomena as a brilliant diamond or a nesting bird are relegated to the role of data, serving as the means for formulating or testing a new theory. The goal of highly creative art is very different: the phenomenon itself 20 becomes the direct product of the creative act. Shakespeare‘s Hamlet is not a tract about the behavior of indecisive princes or the uses of political power; nor is Picasso‘s painting Guernica primarily a propositional statement about the Spanish Civil War or the evils of 25 fascism. What highly creative artistic activity produces is not a new generalization that transcends established limits, but rather an aesthetic particular. Aesthetic particulars produced by the highly creative artist extend or exploit, in an innovative way, the limits of an existing 30 form, rather than transcend that form. This is not to deny that a highly creative artist some times establishes a new principle of organization in the history of an artistic field; the composer Monteverdi, who created music of the highest aesthetic value, comes 35 to mind. More generally, however, whether or not a composition establishes a new principle in the history of music has little bearing on its aesthetic worth. Because they embody a new principle of organization, some musical works, such as the operas of the Florentine 40 Camerata, are of signal historical importance, but few listeners or musicologists would include these among the great works of music. On the other hand, Mozart‘s The Marriage of Figaro is surely among the masterpieces of music even though its modest innovations...
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This document was uploaded on 09/16/2013.

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