Unformatted text preview: in a letter to her from the Abbe de Guibert works and provides no justification as to
why he calls the Czartoryski and La Caze most prominent (d. 1863, Chenonceau reference to her text before his death in early
1743). Vestals in ancient Rome were the of Madame grandnephew 16, 269 (for 1884,
the Abbe de Saint-Pierre's engraving is the frontispiece to G.
book; he is the who inherited 52"72 51. Villeneuve-Guibert and formerly in that of the comte
de Villeneuve (probably that reproduced these I997)> The grandson Soulni He does not reproduce Bulletin, 1943, Quarterly, 1943, The became 45.
of Madame by him in 1884 the photograph is repro
duced in his catalogue only as it shows
desk, which first seeing a color image of the Detroit
work in Gamier 1999.
39. Huard Inv. no. 53.276. coincidental; work to be Louise he was convinced Henriette; 48. 26, 315). painting in rue Laffitte (see Fig. 14), also
lived in the Hotel Lambert but that is as Louise-Henriette based on facial features) in July 2007,
Salmon indicated that he also no longer
the Detroit et sur les vestales"; Henry Brooke's 1778
The Vestal Virgin: A Tragedy, and Gaspare
Spontini's 1807 opera La Vestale. 50. with me (unconvinced of an identification iicie,
play Ericie, or the Vestal and his essay
of the same year, "Essai sur le feu sacre de Rochefort 142. In conversation believes Chateau and early nineteenth 1768 49.
38. the late eighteenth the during her lifetime (Villeneuve-Guibert
37. to connect by xMadame Dupin after
a fire, and the Hotel Lambert was sold repeated by N. Gamier in "Nattier et
les princes de Conde," Dossier de I'Art 62
(November centuries, with J. G. Dubois-Fontanelle's 1707). As a literary
subject the theme continued well into family with Henri Rochefort, who found
the Detroit painting for Lord Hertford,
of names is
although the coincidence painting. as well as in "Chantilly," vestale (Amsterdam, Dupin Nolhac
Caze 36. In 1752, they bore Madame
a grandson, Claude-Sophie
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This document was uploaded on 11/13/2013.
- Fall '13