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heebie-jeebie stuff. I just put up with that ‘cause of
you. I don’t pay that kind of stuff no mind. And you
going down there to the church and wanna come
home and sprinkle salt all over the place.
BERTHA: It don’t hurt none. I can’t say if it help...but
it don’t hurt none.
(Look here, Bertha.)
I done seen Bynum out there with
them pigeons before.
(See it over there?)
Instead actors see “sides” of
Come on and get your breakfast and
leave that man alone.
Example what Act 1, Scene 1
(I don’t know why I put up with it.)
of Joe Turner’s Come and
You don’t say nothing when he bless
Gone would look like as a
(...and wanna come home and sprinkle
salt all over the place.)
It don’t hurt none. I can’t say if it
help...but it don’t hurt none.
help...but Actors provide their own costumes Highly melodramatic, gestural, and presentational acting style Development of Modern
“The director filled needs created by
(1) an interest in a more detailed representation of
place and character history--the movement called
realism, which attempted to put a sense of daily life
on the stage--and
(2) the profusion of theatre styles that arose in
response to realism” (A...
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This note was uploaded on 03/12/2014 for the course TD 301 taught by Professor Dvoskin during the Spring '07 term at University of Texas at Austin.
- Spring '07