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FNAR 201 Notes.pdf - - - Late gothic & early renaissance: ●...

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-Late gothic & early renaissance:Continuous narrative (1 panel tells a story with multiple figures)Sense of movement/animationUse of continuous imagesNo hierarchical scale (more realistic)More slender, human figures with emotionally believable featuresDevotional images became popular with the Black PlagueRise of vernacular literature; people have more accessRising interest in humanism; interest in the natural world, individuals, andhumanity’s worldly existence (as opposed to trends in the afterlife/2ndcoming/hell)Rebirth of Greek classical culture-Byzantine influence - use of gold-Early renaissance:Movement toward naturalism (through observation)Ushered in the age of the early Scientific (reliant on observation)Symbolic drapery; folds are asymmetricalSense of spaceFresco painting technique = painting on damp plasterUse of chiaroscuro – use of lights and darks to create a sense of modeling for a2D figureUse of foreshortening (ex. Angels) – shorten part of an organic form to make itappear to recede into the distanceUse of spatial illusionismEmphasis on horizontal elements (architecture)Gothic structure; tall to reach the heavens (architecture)3D perspective on a 2D surface-International style:International style – bright colors, gold, weightless figures, fluttering lines,background gives no indication of where the painting is locatedCombines Sienna and French art styles-Northern renaissance (anything outside Italy in the 15th/16th centuries)Interest in landscape + interior spaces (receding into space)3D perspective on a 2D surfaceDeep space and overlappingObservation/naturalismEngraving:-Referred to as a reverse process; use a sharp tool and the areas you wantprinted you cut out-The deeper and wider the area, the more ink it will hold
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