de Lauretis Teresa Alice Doesnt Feminism Semiotics Cinema Bloomington Indiana

De lauretis teresa alice doesnt feminism semiotics

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de Lauretis, Teresa. Alice Doesn’t: Feminism, Semiotics, Cinema . Bloomington: Indiana University Press, 1984. Delpar, Helen. The Enormous Vogue of Things Mexican: Cultural Relations between the United States and Mexico, 1920–1935. Birmingham: University of Alabama Press, 1992. Doane, Mary Ann. The Emergence of Cinematic Time: Modernity, Contingency, the Archive . Cambridge, MA: Harvard University Press, 2002. Drowne, Kathleen Morgan, and Patrick Huber. The 1920s. Westport, CT: Greenwood Publishing Group, 2004. Echeverría, Bolívar. Modernidad, mestizaje cultural, ethos barroco . México: UNAM, 1994. Evans Clements, Barbara. Aleksandra Kollontai: Bolshevik Feminist . Bloomington: University of Indiana Press, 1979. Farnsworth, Beatrice. Alexandra Kollontai: Socialism, Feminism, and the Bolshevik Revolution . Stanford: Stanford University Press, 1980. Frazer, James George. The Golden Bough. New York: Touchstone, 1995. Gambrell, Alice. Women Intellectuals, Modernism, and Difference: Transatlantic Culture, 1919–1945 . Cambridge: Cambridge University Press, 1997. Geduld, Harry, and Ronald Gottesman, eds. The Making and Unmaking of “Que Viva México!” Bloomington: Indiana University Press, 1970. Glusker, Susannah Joel. Anita Brenner: A Mind of Her Own . Austin: University of Texas Press, 1998. Godoy, Ricardo. “Franz Boas and His Plans for an International School of American Archaeology and Ethnology in Mexico.” Journal of the History of the Behavioral Sciences 13 (July 1977): 228–42. Hansen, Miriam. “Mass Production of the Senses: Classical Cinema as Vernacular Modernism.” Modernism/Modernity 6, no.2 (1999). . “Of Lightning Rods, Prisms, and Forgotten Scissors: Potemkin and German Film Theory.” New German Critique 96 (Spring 2006): 101–18. . “Room-for-Play: Benjamin’s Gamble with Cinema.” October 109 (2004).
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bibliography : 203 Hanssen, Beatrice. Walter Benjamin and the Arcades Project. New York: Continuum, 2006. Harbison, Robert. Reflections on Baroque . Chicago: University of Chicago Press, 2001. Harrison, Charles, and Paul Wood, eds. Art in Theory, 1900–1990: An Anthology of Changing Ideas. Oxford: Blackwell, 1992. Helprin, Morris. Close Up. Reprinted from Experimental Cinema (February 1933). Herner, Irene. “Siqueiros: Encuentro con Eisenstein.” En el diario reforma, México DF, 15 de Noviembre de 1996. Herrera, Hayden. Frida: A Biography of Frida Kahlo . New York: Harper, 1983. Huyssen, Andreas. After the Great Divide: Modernism, Mass Culture, Postmodernism . Bloomington: Indiana University Press, 1986. Ichon, Alfonso. La religión de los totonacas de la Sierra . México: INAH, 1983. Janecek, Gerald. The Look of Russian Literature: Avant-Garde Visual Experiments, 1900–1930 . Princeton: Princeton University Press, 1984. Kaye, Richard A. “Losing His Religion: Saint Sebastian as Contemporary Gay Martyr.” In Outlooks: Lesbian and Gay Sexualities and Visual Cultures , edited by Peter Horne and Reina Lewis. London: Routledge, 1996.
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