A long pause succeeded. The old man, with increased restlessness,changed his posture several times. Mrs Lupin and the young lady gazedin silence at the counterpane. Mr Pecksniff toyed abstractedly with hiseye-glass, and kept his eyes shut, that he might ruminate the better.‘Eh?’ he said at last, opening them suddenly, and looking towards thebed. ‘I beg your pardon. I thought you spoke. Mrs Lupin,’ he continued,slowly rising ‘I am not aware that I can be of any service to you here.The gentleman is better, and you are as good a nurse as he can have.Eh?’This last note of interrogation bore reference to another changeof posture on the old man’s part, which brought his face towards MrPecksniff for the first time since he had turned away from him.‘If you desire to speak to me before I go, sir,’ continued thatgentleman, after another pause, ‘you may command my leisure; but Imust stipulate, in justice to myself, that you do so as to a stranger,strictly as to a stranger.’Now if Mr Pecksniff knew, from anything Martin Chuzzlewit had expressedin gestures, that he wanted to speak to him, he could only have found itout on some such principle as prevails in melodramas, and in virtue ofwhich the elderly farmer with the comic son always knows what the dumbgirl means when she takes refuge in his garden, and relates her personal