Bakriges Christopher G African American Musical Avant gardism Ph D thesis York

Bakriges christopher g african american musical avant

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Bakriges, Christopher G, ‘African American Musical Avant-gardism’, Ph. D thesis, York University (2001). Baldwin, James, The Fire Next Time (New York: Dial, 1963). Baldwin, James, Notes of a Native Son (London: Michael Joseph, 1964). Baldwin, James, Early Novels and Stories (New York: Library Classics, 1998). Baldwin, James, Selected Essays (New York: Library Classics, 1998). Ballantine, Christopher, ‘Concert and Dance: the foundations of black jazz in South Africa between the Twenties and the early Forties’, Popular Music 10.2 (1991), 121–145. Balliett, Whitney, Goodbyes and other messages: a journal of jazz, 1981-1990 (New York: Oxford University Press, 1991). Baraka, Amiri, ‘Jazzmen: Diz & Sun Ra’, African American Review 29.2 (1995), 249–255. Baraka, Amiri, ‘Miles Davis: ”One of the Great Mother Fuckers”’, in: Kirchner, Bill, editor, The Miles Davis Reader (London: Smithsonian Institute press, 1997), 63– 73. Baraka, Amiri, ‘Jazz and the white critic’, in: Clark, Andrew, editor, Riffs and Choruses (New York: Continuum, 2001), (1963), 91–96. Barker, Danny and Shipton, Alyn, A Life in Jazz (New York: Oxford University Press, 1986). Barlow, William, ‘Black Music on Radio During Jazz Age’, African American Review 29.2 (1995), 325–328. Barrett, Frank J, ‘Coda: Creativity and Improvisation in Jazz and Organizations: Impli- cations for Organizational Learning’, Organization Science 9.5 (1998), 605–622. Barrett, Frank J and Peplowski, Ken, ‘Minimal Structures within a Song: An Analysis of ”All of Me”’, Oganization Science 9.5 (1998), 558–560. 179
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Bibliography Barry, Philip and Patrick, John,. Basie, Count and Murray, Albert, Good Morning Blues: the autobiography of Count Basie (New York: Random House, 1985). Baskerville, John D, ‘Free Jazz: a reflection of Black Power ideology’, Journal of Black Studies 24.4 (1994), 484–497. ‘Be-bop Be-bopped’, Time (March 25, 1946), URL: magazine/article/0,9171,888157,00.html , Accessed on May 4, 2007. Beal, Amy C, ‘The Army, the Airwaves, and the Avant-Garde: American Classical Music in Postwar West Germany’, American Music 21.4 (2003), 474–513. Beale, Charles, Jazz Piano from Scratch: a how-to guide for students and teachers (Lon- don: Associated Board of the Royal Schools of Music Publishing, 1998). Beaumont, Eddie, ‘Sure We Want Victory but War Songs Still Smell’, Down Beat 9.4 (February 15, 1942), 11. Bechet, Sidney et al., Treat It Gentle (New York: Da Capo Press, 2002). Beck, Earl R, ‘German Views on Negro Life in the United States, 1919-1933’, The Journal of Negro History 48.1 (1963), 22–32. Belair Jr., Felix, ‘United States Has Secret Sonic Weapon–Jazz’, New York Times (No- vember 6, 1955), 1. Belfiore, Eleonora and Bennett, Oliver, ‘Rethinking the Social Impacts of the Arts’, In- ternational Journal of Cultural Policy 13.2 (2007), 135–151. Bell, Bernard, ‘Folk Art and the Harlem Renaissance’, Phylon 36.2 (1975), 155–163. Bell, Clive, ‘Plus de Jazz’, in: Clark, Andrew, editor, Riffs and Choruses (New York: Continuum, 2001), from September 21, 1921 New Republic , 40–42.
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