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Louis leroy the exhibition of the impressionists 1874

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Louis Leroy, “The Exhibition of the Impressionists” (1874), AIT, pp. 573-76. [Edmond Duranty, From The New Painting (1876), AIT, pp. 576-85.] [Stéphane Mallarmé, “The Impressionists and Edouard Manet” (1876), AIT, pp. 585-93.] Pierre-Auguste Renoir, Three Letters to Durand-Ruel (1881-82), AIT, pp. 601-03. Impressionism and Art History, MAM, pp. 148-51. [Roger Fry, “The Last Phase of Impressionism” (1908), M.] March 23 “Significant Form,” MAM, pp. 152-57. Clive Bell, “Significant Form” (1919), M. Maurice Denis, “Definition of Neo-Traditionism” (1890), AIT, pp. 862-69. [Maurice Denis, “Cézanne,” Parts I-II (1907/1910), M.] [Roger Fry, “Cézanne at the Goupil Gallery” (1924), M.] [Roger Fry, “In Praise of Cézanne,” Review of Julius Meier-Graefe, Cézanne (1928), M.] [Michael Fried, “Hover by Kenneth Noland” (1964), M.] [Michael Fried, “Blue Veil by Morris Louis” (1965), M.] Depth, Flatness, and Self-Criticism, MAM, pp. 157-67. Georges Rivière, “The Exhibition of the Impressionists” (1877), AIT, pp. 593-98. Clement Greenberg, “Modernist Painting ” (1960/1978), M. Modernism and its Priorities, MAM, p. 164. Questions to the Modernist, MAM, pp. 165-67. March 28 Monet at La Grenouillère , MAM, pp. 167-85.
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Claude-Oscar Monet, Letters to Bazille (1868-69), AIT, pp. 546-48. Seeing the Modern, MAM, pp. 180-85. [Richard Brettell, Review of Ralph E. Shikes, Pissarro: His Life and Work (1981), M.] March 30 Pissarro, MAM, pp. 186-92. Camille Pissarro, Letter to Durand-Ruel (1886), on Technique and Sensation, from Letters to Lucien Pissarro (1887-95), Advice to le Bail (1895), on Anarchy, Symbolism, and Primitivism, from Letters to Lucien (1883-1900), AIT, pp. 970- 75, 1029-34. Jules-Antoine Castagnary, “The Exhibition on the Boulevard des Capucines” (1874), AIT, pp. 572-73. Painting and Human Content, MAM, pp. 192-201. Clement Greenberg, “Modernist Painting ” (1960/1978), M. April 4 Cézanne, MAM, pp. 201-13. Paul Cézanne, Letters (1866-99), AIT, pp. 548-50, 991-92. Emile Zola, “Dedication to Cézanne” and “The Moment in Art” (1866), AIT, pp. 550-54. Georges Rivière, “The Exhibition of the Impressionists” (1877), AIT, pp. 593-98. Emile Bernard, “Paul Cézanne” (1891), AIT, pp. 985-87. Gustave Geffroy, “Paul Cézanne” (1894), AIT, pp. 987-91. Cézanne’s Déjeuner sur l’herbe, MAM, pp. 208-12. [Mary Louise Krumrine, “Cézanne’s ‘Restricted Power’: Further Reflections on the ‘Bathers’” (1992), M.] The Grounds of the Château Noir, MAM, pp. 212-13. [Richard Shiff, “Seeing Cézanne” (1978), M.] April 6 Monet’s Nymphéas, MAM, pp. 214-17. Claude Monet, Les Nymphéas, Musée de lOrangerie, Visite virtuelle , M. [Steven Z. Levine, “Virtual Narcissus: On the Mirror Stage with Monet, Lacan, and Me” (1996), M.] April 7 Three-page paper (12-point font, double-spaced) analyzing some of the repeated elements of theme and rhetoric in Chapter 2 of Modernity and Modernism, Impressionism, Modernism, and Originality by Charles Harrison, due by 5:00 p.m. on Friday, April 7, in Mr. Levine’s mail box in the office of Art, Archaeology, and Cities, Thomas 235, or under his office door, Thomas 232 (25%).
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