15th Century Art Powerpoint-Midterm 8

Same but the wing is open easel paintings in the

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. Same, but the wing is open Easel paintings In the corners: Adam &  Eve SN: different from  tempera because tempera  is the color you put down  and that is it as opposed to  the oil you can keep  glazing it and get a  different outcome
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9 Figure 20-7 ROGIER VAN DER WEYDEN , Deposition, from Notre-Dame hors-les- murs, Louvain, Belgium, ca. 1435. Oil on wood, approx. 7 3" x 8 7". Museo del Prado, Madrid. Gets sense of what  skin is like What facial  expression are like Robes are rendered  in high detail
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10 Figure 20-7 Detail Joseph with the body of Christ © 2005 Saskia Cultural Documentation, Ltd.
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11 Figure 20-8a ROGIER VAN DER WEYDEN, Last Judgment Altarpiece (open), Hôtel-Dieu, Beaune, France, ca. 1444–1448. Panel, 7 4 5/8 x 17 11 . Musée de l Hôtel-Dieu, Beaune. PULLING PEOPLE DOWN BY THEIR OWN SINS, ALWAYS SOME
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12 Figure 20-8b ROGIER VAN DER WEYDEN, Last Judgment Altarpiece (open), Hôtel-Dieu, Beaune, France, ca. 1444–1448. Panel, 7 4 5/8 x 17 11 . Musée de l Hôtel-Dieu, Beaune.
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13 Figure 20-9 DIRK BOUTS (central panel of the Altarpiece of the , Last Supper Holy Sacrament), Saint Peter s, Louvain, Belgium, 1464–1468. Oil on Set in contemporary  environment Depicting the  religious leaders of  the time Jesus is a little larger  in scale Pattern on the floor:  shows more detail Incorporates more  linear perspective
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14 Figure 20-10 HUGO VAN DER GOES, Portinari Altarpiece (open), from Sant Egidio, Florence, Italy, ca. 1476. Tempera and oil on wood, 8 3 1/2" x 10 (center panel), 8 3 1/2" x 4 7 1/2" (each wing). Galleria degli Uffizi, Florence. NATURAL ENVIRONMENT, HIERARCHIAL SCALE, ATTENTION TO DETAIL WITH
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15 Figure 20-10 Left Panel Total © 2005 Saskia Cultural Documentation, Ltd.
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16 Figure 20-10 Right Panel Total © 2005 Saskia Cultural Documentation, Ltd.
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17 Figure 20-11 Hans Memling, Virgin with Saints and Angels, center panel of the Saint John Altarpiece, Hospitaal Sint Jan, Bruges, Belgium, 1479. Oil on wood, approx. 5 7 3/4" x 5 7 3/4" (center panel), 5 7 3/4" x 2 7 1/8" (each wing).
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18 Figure 20-12a ROBERT CAMPIN (Master of Flémalle), Mérode Altarpiece (open), The Annunciation (center panel), ca. 1425–1428. Oil on wood, center panel approx. 2 1 x 2 1 . Metropolitan Museum of Art, New York (The Cloisters Collection, 1956).
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  • Fall '16
  • Jan van Eyck, Rogier van der Weyden, Ghent, Ghent Altarpiece, Saskia Cultural Documentation

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