WR150 Portfolio

Clearly from these two stories alone the influence of

Info iconThis preview shows pages 88–90. Sign up to view the full content.

View Full Document Right Arrow Icon

Info iconThis preview has intentionally blurred sections. Sign up to view the full version.

View Full Document Right Arrow Icon
This is the end of the preview. Sign up to access the rest of the document.

Unformatted text preview: Clearly, from these two stories alone, the influence of Toomer’s socioeconomic class is not apparent. He does not display any notion of racial or social discrimination. Both white and mixed African American women were portrayed as being tragically traumatized. The arguments made by Davis and Foley only hold true for portions of the book. With that said, they lack evidence that Toomer’s environment had the largest influence on Cane . Throughout his writing career, Toomer exposed himself to various styles of writing through reading and interacting with other authors. The Cane Years, a short autobiographical piece, gives brief insight on this. Toomer mentions, “ I was reading only literary works. This was the period when I was so strongly influenced…Robert Frost’s New England poems strongly appealed to me. Sherwood Anderson’s Winesburg, Ohio opened my eyes to entirely new possibilities” (127). The works of literature that these authors produced guided Toomer in his own writings. Charles Scruggs highlights specifically the influence of Waldo Frank and Sherwood Anderson on Toomer’s novel. They were among Toomer’s closest friends and had the most profound effect on his 89 Jung writing. As Scruggs mentions, Frank had the “greater influence on Toomer” as the design of Frank’s novel City Block inspired the circular structure of Cane (Scruggs 277). Toomer saw potential in Frank’s design as a way to express his own views. Toomer appealed to “Frank’s pursuit of spiritual wholeness” and he wanted to accomplish the same theme in his own novel (Scruggs 282). In letters that he continually sent to Waldo Frank, Toomer discussed the progression of Cane as he was writing it. In one particular letter, sent on December 12, 1922, Toomer mentions how “ Cane ’s design is a circle. From the point of view of the spiritual entity behind the work, the curve really starts with Bona and Paul…plunges into Kabnis, emerges in Karintha etc. swings upward into Theatre and Box Seat, and ends in Harvest Song” (Toomer 162-163). This mirrors Frank’s design in City Block, which allowed Toomer to write a narrative that ended where it started. Despite Frank’s major influence on Toomer, Anderson also gave him insight on how Cane should be written. Toomer found limitations in Anderson’s writings and tried to go beyond them as he wrote Cane . But, in Scruggs’ discussion he falls short when describing the works of Anderson and Toomer. The structure of Winesburg, Ohio and Cane is obviously different. While Anderson’s novel progresses linearly with a central character, Toomer’s novel has a circular design without a main protagonist. As mentioned earlier, Scruggs hints at this in his argument. However, he fails to mention why this design for Cane worked for the overall theme of the novel. Winesburg, Ohio follows the life of George Willard and his relationships with various people in his town. By examining these relationships, it is easy to see his growth. In the early story “Mother”, George Willard lacks to have a mature emotional relationship with another person, 90...
View Full Document

{[ snackBarMessage ]}

Page88 / 102

Clearly from these two stories alone the influence of...

This preview shows document pages 88 - 90. Sign up to view the full document.

View Full Document Right Arrow Icon
Ask a homework question - tutors are online