Rediscovering Korean Cinema (unpublished material).Feature The March of Fools(Ha Gil-jong,1975, 110 min.) WEEK SIX The Advent of Korean New Wave Reading •Park, Seung Hyun. “Film Censorship and Political Legitimation in South Korea, 1987-1992,” Cinema Journal42. no. 1 (Fall 2002), 120-138. •Darcy Paquet, “A New Society,” in New Korean Cinema: Breaking the Waves(London and New
4 York: Wallflower, 2009), 6-43. Feature Chilsu and Mansu(Park Kwang-soo, 1986) WEEK SEVEN Midterm Feature Shiri(Kang Jae-kyu, 1998) WEEK EIGHT The 1990s Reading •Darcy Paquet, “A New Film Industry,” in New Korean Cinema: Breaking the Waves(London and New York: Wallflower, 2009), 44-112 Feature Peppermint Candy(Lee Chang-dong, 1999) WEEK NINE Globalization and the Renaissance of Korean Cinema Readings •Darcy Paquet, “The Boom,” in New Korean Cinema: Breaking the Waves(London and New York: Wallflower, 2009), 61-90. •Nikki J.Y. Lee, “Salute to Mr. Vengeance!: The Making of a Transnational Author Park Chan-wook,” East Asian Cinemas: Exploring Transnational Connection on Film. Feature Oldboy(Chanwook Park, South Korea 2003) Additional Screening #3A Bittersweet Life(Kim Ji-woon, South Korea, 2004) WEEK TEN Korean Independent Cinema Readings •Chuck Stephens, "Local Heroes: The Many Faces of Korean Cinema's Perpetual Renaissance" Film Comment40: 6 (November/December, 2004): 36-39. •Kyung Hyun Kim, "Risky Business: The rise of Asia's new Hollywood and the fall of independent Korean filmmaking" Film Comment, Vol 40, No.6, (November /December 2004): 40-42. Feature: Family Ties(Kim Tae-yong, South Korea, 2006) Additional Screening #4Bleak Night(Yoon Sung-hyun, South Korea, 2011) WEEK ELEVEN (October 31) Documentaries Readings •Nam In-young, “Fifteen Years of Committed Documentaries in Korea: From Sangge-dong Olympicto Repatriation,” YIFF Documentary Box Features Repatriation (Kim Dong-won, 2003)Additional Screening #5Factory Complex (Im Heung-soon, 2014) WEEK TWELVE The Other Half: North Korean Cinema Readings •Kim, Jong-il, On the Art of the Cinema, University Press of the Pacific, 2001 (select chapters). •Bruce Robinson, Korea’s Twentieth Century Odyssey, chapter SEVEN, pp. 146-166.
5 •Charles K. Armstrong, "The Origins of North Korean Cinema: Art and Propaganda in the Democratic People's Republic," Acta Koreana5, no. 1 (January 2002). Feature: Bell Flower / Dorajee ggot (North Korea, 1987, 83 min.) WEEK THIRTEEN Korean Cinema and Media in the Global Context Feature: 1987(Jang Jun-hwan, 2017). Final Paper due: XXX
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