Production and dissemination from regional arts

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Production and dissemination from regional arts capital Sundanese Jaipongang (Regional) For Sundanese (who inhabit Western Java) Songs in Sundanese language Subset of Sundanese Gamelan o Boning, saron, three ketuk (ketuk tuli) [metallophones] o Vibrant kendhang playing style (drumming) Romantic female singer-dancer Song themes: o Mostly amorous and social commentary Produced at Bendang(regional arts capital) National Pop Music Genres Produced with the whole nation in mind Language of song texts (Indonesian) Song themes of national character: o Nationalism, patriotism, national identity o Social commentary and criticism o Songs deeply situated in the socio-political milieu of specific times Stronger Western and global elements Kronchong Main national pop music genre o 1945-1960 o Used by Sukamo’s regime as a tool o Didactic messages in lyrics o Unity in diversity—dual identity o Benedict Anderson’s imagined identity Dangdut
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Main genre during 1970s-1980s Rhoma Irama(greatest exponent) Irama’s familial background and the voices he represented Salient musical features o Islamic vocal production with melisma o
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