Dark of the Moon John Dickson Carr 1970 219 E L FIN DE LA NOCHE The End of the

Dark of the moon john dickson carr 1970 219 e l fin

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(Dark of the Moon), John Dickson Carr, 1970 219. E L FIN DE LA NOCHE (The End of the Night), John D. MacDonald, 1970 220. E L DERRUMBE (The Breakdown), John Boland, 1970 221. T RATO HECHO (You Have Yourself a Deal), James Hadley Chase, 1970 222. ¡T SING -B OUM ! (Tsing-Boum!), Nicholas Freeling, 1970 223. C ORRA CUANDO DIGA: ¡YA ! (Run When I Say Go), Hillary Waugh, 1970
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224. Y AHORA QUERIDA … (Well Now - My Pretty), James Hadley Chase, 1970 225. M UERTE Y CIRCUNSTANCIA (Death and Circumstance), Hillary Waugh, 1970 226. V ENENO PURO (Pure Poison), Hillary Waugh, 1970 227. L A MIRADA DEL ADIÓS (The Goodbye Look), Ross MacDonald, 1970 228. L A ÚNICA MUJER EN EL JUEGO (The Only Girl in the Game), John D. MacDonald, 1970 229. B ESA Y MATA (Kiss and Kill), Ellery Queen, 1971 230. A SESINATOS EN LA UNIVERSIDAD (The Campus Murders) , Ellery Queen, 1971 231. E L OLOR DEL DINERO (The Whiff of Money), James Hadley Chase, 1971 232. P LAZO: AL AMANECER (Deadline at Dawn), William Irish (Cornell Woolrich), 1971 233. Z IGZAGS , Paul Andreota, 1971 234. L OS JUEVES DE LA SEÑORA J ULIA (I giovedì della signora Giulia), Piero Chiara, 1971 235. L AS MUJERES SE DEDICAN AL CRIMEN (A Lessons for Ladies), Ben Healey, 1971 236. S ÓLO MONSTRUOS (Beyond This Point Are Monsters), Margaret Millar, 1971 237. M EDIODÍA DE ESPECTROS (The Ghosts’ High Noon), John Dickson Carr, 1971 238. A LGO EN EL AIRE (Something In The Air), John A. Graham, 1971 239. E L ÚLTIMO TIMBRE (The Last Doorbell), Joseph Harrington, 1971 240. U N AGUJERO EN LA CABEZA (Like a Hole in the Head), James Hadley Chase, 1971 241. C ARA DESCUBIERTA (The Naked Face), Sidney Sheldon, 1972 242. N O QUISIERA ESTAR EN TUS ZAPATOS (I Wouldn’t Be in Your Shoes), William Irish (Cornell Woolrich), 1972 243. E L ROBO DEL C EZANNE (The Aldeburg Cézanne), John A. Graham, 1972
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244. C OSTA BÁRBARA (The Barbarous Coast), Ross MacDonald, 1972 245. A CERTAR CON LA PREGUNTA (Ask the Right Question), Michael Z. Lewin, 1972 246. E L PULPO (La pieuvre), Paul Andreota, 1972 247. M ANSIÓN DE MUERTE (Deadly Hall), John Dickson Carr, 1972 248. P ELIGROSO SI ANDA SUELTO (No Safe to be Free), James Hadley Chase, 1972 249. E L FIN DE LA PERSECUCIÓN (Run Down the World of Alan Brett), Robert Garret, 1972 250. R ETRATO TERMINADO (Final Portrait), Vera Caspary, 1972 251. L A DAMA FANTASMA (Phantom Lady), William Irish (Cornell Woolrich), 1973 252. S I DESEAS SEGUIR VIVIENDO (Want to Stay Alive?), James Hadley Chase, 1973 253. ¿Q UIERES VER A TU MUJER OTRA VEZ ? (If you want to see your wife again), John Craig, 1973 254. E L TELÉFONO LLAMA (The Phone Calls), Lillian O’Donnell, 1973 255. A CTO DE TERROR (Act of Fear), Michael Collins, 1973 256. E L HOMBRE DE NINGUNA PARTE (Man from Nowhere), Stanley Ellin, 1973 257. L A ORGANIZACIÓN (The Organization), David Anthony, 1973 258. E L CADÁVER DE UNA CHICA (The Body of a Girl), Michael Gilbert, 1973 259. L A SOMBRA DEL TIGRE (Shadow of a Tiger), Michael Collins, 1973 260. E L SÍNDROME FATAL (The Walter Syndrome), Richard Neely, 1973 261. ¡P ÁNICO ! (Panic), Bill Pronzini, 1973 262. P EÓN DAMA , (Queen’s Pawn), Victor Canning, 1973 263. C ITA EN LA OSCURIDAD (The Black Path of Fear), Cornell Woolrich, 1974 264. T RAFICANTE DE NIEVE (The Snowman), Arthur Maling, 1973 265. E STÁS SOLO CUANDO ESTÁS MUERTO (You’re Lonely When You’re Dead), James Hadley Chase, 1974
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266. S ANGRE A LA LUZ DE LA LUNA (Blood on a Harvest Moon), David Anthony, 1974 267. S IN DINERO, A NINGUNA PARTE (You’re Dead Without Money), James Hadley Chase, 1974 268. L
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