Question 16 1 out of 1 points the moods of film noir

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Question 16 1 out of 1 points The moods of film noir include melancholy and paranoia. Question 17 0 out of 1 points RsQ_015In the 1950's sexual images become commonplace in the popular discourse. Question 18 1 out of 1 points RsQ_016Feminist film theorists argue the demise of the femme fatale speaks to a woman's inability to survive living outside prescribed gende Question 19 0 out of 1 points RsQ_017This type of feminist argues " the personal is political" Question 20 1 out of 1 points RsQ_018Shows such as Charlie's Angels and Wonder Woman offered more ambiguous messages to attract a wider audience. Question 21 1 out of 1 points RsQ_019In the 1970's we saw the resurgence of feminism in two main branches: liberal and radical. Question 22 1 out of 1 points In film noir, James Naremore argues it is often easier to identify than it is to define.
Question 23 1 out of 1 points In the 1950's, the common image of women on TV was the independent and sexually free. Question 24 1 out of 1 points RsQ_020The title of this class is Sex & the City (just a little freebe :) Question 25 1 out of 1 points According to the article on the male gaze, they argue the gaze is so pervasive in advertising that it is assumed or taken-for-granted.

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