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There is something that can be credited to 'The Dark Knight', and maybe the main thing amongan ocean of ethics that incorporate, as I have just clarified, his forcing visual style, his perfectphotography, his dedicated content and the top notch acting work . Furthermore, it is the absenceof silliness or the nonattendance of progress scenes. A base enclosure to the watcher, who does not discover time to get occupied, watch the time,take a popcorn to his mouth, or to put it plainly, unwind. 'The Dark Knight' is a surge of ceaselessgood reflections, of character investigation, and it is most importantly a completelycontemplative film. The Dark Knight' is a relatively different as compare to the other films, the motion picture of theyear (and most likely of the decade), there is no space for him to frustrate every one of thoseoverflowing with desires. Indeed, even the wariest will turn out affected by the experience, praise and feel inebriated withsupport, and with the conviction that Christopher Nolan is a genuine virtuoso. Overall this movieis the efficient one for the views through its appearance and the dark theme thought out themovie. Hence, they have given more important ion the media and it worked out well for itsuccess.
MEDIA ANALYSIS 6References:Daniels, L. (2004). Batman-The Complete History: The Life and Times of the Dark Knight.Chronicle Books.Giannetti, L. D., & Leach, J. (1999). Understanding movies (Vol. 1, No. 1, p. 999). Upper SaddleRiver, New Jersey: Prentice Hall.Langley, T. (2012). Batman and psychology: A dark and stormy knight (p. 352). Hoboken, NJ:John Wiley & Sons.Meehan, E. R. (2004). The political economy of the commercial intertext. Hollywood: Culturaldimensions: ideology, identity and cultural industry studies, 4, 312.Wainer, A. M. (2014). Soul of the Dark Knight: Batman as Mythic Figure in Comics and Film.McFarland.White, M. D., Irwin, W., & Arp, R. (Eds.). (2008). Batman and philosophy: The dark knight ofthe soul (Vol. 2). John Wiley & Sons.
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Spring '16
Interest, Christopher Nolan, Gotham City, Two-Face, Joker, James Gordon