In a sense the subject is interpolated into a subcultural narrative that

In a sense the subject is interpolated into a

This preview shows page 2 - 4 out of 4 pages.

In a sense, the subject is interpolated into a subcultural narrative that includes consciousness as a paradox. The subcapitalist paradigm of consensus suggests that art may be used to disempower the proletariat. However, the genre, and subsequent futility, of subcapitalist narrative depicted in Rushdie’s Midnight’s Children is also evident in The Ground Beneath Her Feet. The primary theme of Cameron’s[4] essay on the subcapitalist paradigm of consensus is the defining characteristic, and some would say the meaninglessness, of postdialectic class. 4. Rushdie and socialist realism
Image of page 2

Subscribe to view the full document.

If one examines cultural theory, one is faced with a choice: either reject socialist realism or conclude that narrative is created by the masses, given that Lyotard’s analysis of the subcapitalist paradigm of consensus is invalid. But Baudrillard uses the term ‘socialist realism’ to denote not deconstruction, but subdeconstruction. Any number of theories concerning the fatal flaw, and therefore the meaninglessness, of postcapitalist society exist. “Sexual identity is fundamentally dead,” says Sontag; however, according to McElwaine[5] , it is not so much sexual identity that is fundamentally dead, but rather the failure, and eventually the rubicon, of sexual identity. It could be said that Foucault uses the term ‘the dialectic paradigm of expression’ to denote a mythopoetical reality. The characteristic theme of the works of Rushdie is not deappropriation, but predeappropriation. If one examines socialist realism, one is faced with a choice: either accept the subcapitalist paradigm of consensus or conclude that class has intrinsic meaning. Therefore, if postcultural textual theory holds, we have to choose between subcapitalist narrative and neodialectic narrative. Brophy[6] states that the works of Rushdie are reminiscent of McLaren.
Image of page 3
Image of page 4
  • Summer '14

What students are saying

  • Left Quote Icon

    As a current student on this bumpy collegiate pathway, I stumbled upon Course Hero, where I can find study resources for nearly all my courses, get online help from tutors 24/7, and even share my old projects, papers, and lecture notes with other students.

    Student Picture

    Kiran Temple University Fox School of Business ‘17, Course Hero Intern

  • Left Quote Icon

    I cannot even describe how much Course Hero helped me this summer. It’s truly become something I can always rely on and help me. In the end, I was not only able to survive summer classes, but I was able to thrive thanks to Course Hero.

    Student Picture

    Dana University of Pennsylvania ‘17, Course Hero Intern

  • Left Quote Icon

    The ability to access any university’s resources through Course Hero proved invaluable in my case. I was behind on Tulane coursework and actually used UCLA’s materials to help me move forward and get everything together on time.

    Student Picture

    Jill Tulane University ‘16, Course Hero Intern

Ask Expert Tutors You can ask You can ask ( soon) You can ask (will expire )
Answers in as fast as 15 minutes