1999 oedipus interruptus in feminist film theory a

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—— (1999) ‘Oedipus Interruptus’, in Feminist Film Theory: A Reader , ed. Sue Thornham , Edinburgh: Edinburgh University Press, pp. 83–96. Deleuze, Gilles (1989) Cinema 2: The Time-Image, London and New York: Continuum. Deutscher, Penelope (2002) A Politics of Impossible Difference: The Later Work of Luce Irigaray , New York and London: Cornell University Press. Dimendberg, Edward (2004) Film Noir and the Spaces of Modernity, Cambridge, MA and London: Harvard University Press.
212 Bibliography Doane, Mary Ann (1981/1982) ‘ Caught and Rebecca : the Inscription of Femininity as Absence’, Enclitic , 5.2/6.1, reproduced in Feminist Film Theory: A Reader , ed. Sue Thornham (1999), Edinburgh: Edinburgh University Press, pp. 70–81. —— (1982) ‘Film and the Masquerade: Theorizing the Female Spectator’, Screen , 23.3–4, 78–87, reproduced in (1991) Femmes Fatales: Feminism, Film Theory, Psychoanalysis, London and New York: Routledge, pp. 17–32. —— (1984) ‘The “Woman’s Film”: Possession and Address’, in Re-Vision : Essays in Feminist Film Criticism , ed. Mary Ann Doane, Patricia Mellencamp and Patricia Linda Williams , California: American Film Institute, pp. 67–82, reproduced in Christine Gledhill (ed.) (2002) Home Is Where the Heart Is: Studies in Melodrama and the Woman’s Film , London: British Film Institute, pp. 283–98. —— (1987) The Desire to Desire: The Women’s Film of the 1940s , Bloomington and Indianapolis: Indiana University Press. —— (1990) ‘Remembering Women: Psychical and Historical Constructions in Film Theory’, in Psychoanalysis and Cinema , ed. E. Ann Kaplan, New York and London: Routledge, pp. 46–63. —— (1991) Femmes Fatales: Feminism, Film Theory, Psychoanalysis, London and New York: Routledge. Doane, Mary Ann, Patricia Mellencamp and Patricia Linda Williams (eds) (1984) Re-Vision: Essays in Feminist Film Criticism, California: American Film Institute. Dolar, Mladen (1992) ‘Hitchcock’s Objects’, in Everything You Always Wanted to Know About Lacan (But Were Afraid to Ask Hitchcock) , ed. Slavoj Žižek, London and New York: Verso, pp. 31–46. Doty, Alexander (2000) ‘Queer Theory’, in Film Studies: Critical Approaches , ed. John Hill and Pamela Church Gibson, Oxford and New York: Oxford University Press, pp. 148–52. Downing, Lisa (2004a) ‘French Cinema’s New Sexual Revolution: Postmodern Porn and Troubled Genre’ in French Cultural Studies , Special Issue on ‘New Directions in French Cinema’, ed. Sue Harris, 15.3, 265–80. —— (2004b) Patrice Leconte , Manchester and New York: Manchester University Press. Dyer, Richard (1982) Stars , London: British Film Institute. —— (1993) ‘White’, in The Matter of Images: Essays on Representations, London and New York: Routledge, pp. 141–63. —— (2003) ‘Resistance through Charisma: Rita Hayworth and Gilda ’, in Women in Film Noir , ed. E. Ann Kaplan, London: British Film Institute, pp. 115–22. —— (2004) Heavenly Bodies: Film Stars and Society , London: Routledge. Erens, Patricia (ed.) (1990) Issues in Feminist Film Criticism , Bloomington and Indianapolis: Indiana University Press.

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