Following the curriculum of studies laid out in the

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earliest surviving depiction of the crucifixion of Christ.Following the curriculum of studies laid out in the capitular acts of 1291 the SantaSabinastudiumwas redesignated as one of threestudianove logiceintended to offercourses of advanced logic covering thelogica nova, the Aristotelian texts recovered inthe West only in the second half of the 12th century, theTopics,SophisticalRefutations, and theFirst and Second Analyticsof Aristotle. This was an advance overthelogica antiqua, which treated theIsagoge of Porphyry,DivisionsandTopicsofBoethius, theCategoriesandOn Interpretationof Aristotle, and theSummulelogicalesof Peter of Spain.[13]Milone da Velletri was lector at the SantaSabinastudiumin 1293[14]In 1310 the Florentine Giovanni dei Tornaquinci was lectorat Santa Sabina.[15]In 1331 at the Santa SabinastudiumNerius de Tertia waslector,[16]and Giovanni Zocco da Spoleto was a student of logic.[17]
Rebecca andEliezer at theWell(ViennaGenesis)Illuminated Manuscripttempra, gold, & silveron purple vellumByzantine Empire6thCentury CEvideoUnit 4: Medieval and Gothic ArtTheVienna Genesis(Vienna,Österreichische Nationalbibliothek, cod. theol. gr. 31),designated by siglumL(Ralphs), is anilluminated manuscript, probably producedinSyriain the first half of the 6th Century. It is the oldest well‐preserved, surviving,illustrated biblicalcodex.Contents[hide]1 Description2 See also3 References4 Further reading5 External linksDescription[edit]The text is a fragment of theBook of Genesisin the GreekSeptuaginttranslation. Thetext is frequently abbreviated. There are twenty‐four survivingfolioseach withminiatures at the bottom of both sides. It is thought that there were originally aboutninety‐six folios and 192 illustrations. It is written inuncialswith silver ink oncalfskinvellum dyed a rich purple. This shade of purple dye was also used to dyeimperial cloth.The initialiotaandupsilonhave thediaeresis.[1]5
The illustrations are done in a naturalistic style common to Roman painting of theperiod. The manuscript's illustrations are, in format, transitional between those foundin scrolls and later images found in codices. Each illustration is painted at the bottomof a single page. However, within a single illustration, two or more episodes from astory may be included, so that the same person may be represented multiple timeswithin a single illustration. There are both framed and unframed illustrations. Theillustrations contain incidents and people not mentioned in the text of Genesis. Theseincidents are thought to have been derived from popular elaborations of the story orfrom Jewish commentaries on the text.The Vienna Genesis may have been produced in the same period and place astheRossano Gospelsand theSinope Gospels.[2]
SanVitaleBrick. Marble andStone and Mosaicc. 526547 CERavenna, ItalyvideoUnit 4: Medieval and Gothic ArtTheBasilica of San Vitaleis a church inRavenna,Italy, and one of the most importantexamples of early ChristianByzantine artandarchitectureinwestern Europe. The

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