MLA Documentation In-Text Citations.pdf

A though most composers in the early twentieth

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a. Though most composers in the early twentieth century were influenced by modernism, Kerman and Tomlinson note that some composers "kept on mining the reliable quarries of Romanticism for their own private veins of (they hoped) musical gold" (339). b. Though most composers in the early twentieth century were influenced by modernism, Kerman notes that some composers "kept on mining the reliable quarries of Romanticism for their Qwn private veins of (they hoped) musical gold" (339).
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3. The student is summarizing two magazine articles: Gates, David. "Report from a City of Ruins." Review of The Rising, by Bruce Springsteen, Newsweek, 29 July 2002, p. 56. Santoro, Gene. "Hey, He's Bruce." The Nation, 16 Sept. 2002, pp. 32-34. a. In his album The Rising, Bruce Springsteen elevates his typical working-class subjects to the status of heroes in the post-September 11 world (Gates; Santoro). b. In his album The Rising, Bruce Springsteen elevates his typical working-class subjects to the status of heroes in the post-September 11 world (Gates and Santoro). 4. The student is quoting from the following online review: Berman, Stuart. "The Flaming Lips: The Terror." Pitchfork, 4 Apr. 2013, .com/reviews/ albums / 17804-the-flaming-lips-the-terror. a. Pitchfork reviewer Stuart Berman explains that The Terror is an answer to the Flaming Lips' previous album, Embryonic; however, while"Embryonic played on themes of environmental destruction, The Terror deals in more personal turmoil-loneliness, depression, anxiety:' b. Pitchfork reviewer Stuart Berman explains that The Terror is an answer to the Flaming Lips' previous album, Embryonic; however, while"Embryonic played on themes of environmental destruction, The Terror deals in more personal turmoil - loneliness, depression, anxiety" (Flaming).
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