The lower outer corner of the text area is fixed by a diagonal as well 47 Jan

The lower outer corner of the text area is fixed by a

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area proportioned in the Golden Section. The lower outer corner of the text area is fixed by a diagonal as well." 47. Jan Tschichold , The Form of the Book , Hartley & Marks (1991), ISBN 0-88179-116-4 . 48. Jones, Ronald (1971). "The golden section: A most remarkable measure". The Structurist . 11 : 44–52. "Who would suspect, for example, that the switch plate for single light switches are standardized in terms of a Golden Rectangle?" 49. Art Johnson (1999). Famous problems and their mathematicians ( =PA45&dq=switch+%22golden+ratio%22#v=onepage&q=switch%20%22golden%20ratio%22&f=false) . Libraries Unlimited. p. 45. ISBN 978-1-56308-446-1 . "The Golden Ratio is a standard feature of many modern designs, from postcards and credit cards to posters and light-switch plates. " 50. Alexey Stakhov; Scott Olsen; Scott Anthony Olsen (2009). The mathematics of harmony: from Euclid to contemporary mathematics and computer science ( A21&dq=% 22credit+card%22+%22golden+ratio%22+rectangle#v=onepage&q=%22credit%20card%22%20%22golden%20rati o%22%20rectangle&f=false) . World Scientific. p. 21. ISBN 978-981-277-582-5 . "A credit card has a form of the golden rectangle." 51. Simon Cox (2004). Cracking the Da Vinci code: the unauthorized guide to the facts behind Dan Brown's bestselling novel ( +postcard) . Barnes & Noble Books. ISBN 978-0-7607-5931-8 . "The Golden Ratio also crops up in some very unlikely places: widescreen televisions, postcards, credit cards and photographs all commonly conform to its proportions. " 52. "THE NEW RAPIDE S : Design" () . "The ‘Golden Ratio’ sits at the heart of every Aston Martin. " 53. Lendvai, Ernő (1971). Béla Bartók: An Analysis of His Music . London: Kahn and Averill. 54. Smith, Peter F. The Dynamics of Delight: Architecture and Aesthetics ( npkC&pg=PA83&dq=bartok+intitle:The+intitle :Dynamics+intitle:of+intitle:Delight+intitle:Architecture+intitle:and+intitl e:Aesthetics&as_brr=0&ei=WkkSR5L6OI--ogLpmoyzBg&sig=Ijw4Y ifrLhkcdQSMVAjSL5g4zVk) (New York: Routledge, 2003) pp 83, ISBN 0-415-30010-X 55. Roy Howat (1983). Debussy in Proportion: A Musical Analysis ( A169&dq=intitle:Debussy+intitle:in+intitle:Proportion+golden+la-mer) . Cambridge University Press. ISBN 0-521- 31145-4 . 56. Simon Trezise (1994). Debussy: La Mer ( A53&dq=inauthor:Tre zise+golden+evidence) . Cambridge University Press. p. 53. ISBN 0-521-44656-2 .
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57. "Pearl Masters Premium"( .pearldrum.com/premium-birch.a sp) . Pearl Corporation. Archived from the original () on December 19, 2007. Retrieved December 2, 2007. 58. " An 833 Cents Scale: An experiment on harmony () ", Huygens- Fokker.org . Accessed December 1, 2012. 59. Richard Padovan (1999). Proportion ( A306&dq=%22contained +the+ground-principle+of+all+formative+striving%22) . Taylor & Francis. pp. 305–306. ISBN 978-0-419-22780-9 .
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