Nichols pethick j 2012 tv cops the contemporary

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Nichols-Pethick, J. (2012), TV Cops: The Contemporary America Television Police Drama , London & New York: Routledge. Nussbaum, E. (2014), ‘Cool Story, Bro: The shallow deep talk of True Detective ’, The New Yorker , 3 March, . Accessed 1 August 2014. Peacock, S. (2011), ‘The Impossibility of Isolation in Wallander ’, Critical Studies in Television , 6: 2: 37-47. Peacock, S. (2014), Swedish Crime Fiction: Novel, Film, Television , Manchester: Manchester University Press. 24
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Povlsen, K. K. (2011), ‘Gender and Geography in Contemporary Scandinavian Television Crime Fiction’ , in A. Nestingen and P. Arvas (eds.), Scandinavian Crime Fiction , Cardiff: University of Wales Press.89-99. Redvall, E. N. (2013a), ‘“Dogmas” for television drama: The ideas of “one vision”, “double storytelling”, “crossover” and “producer’s choice” in drama series from the Danish public service broadcaster DR’, The Journal of Popular Television , 1: 2, 227-234. Redvall, E. N. (2013b), Writing and Producing Television Drama in Denmark: From ‘The Kindom’ to ‘The Killing’ , London & New York, Palgrave/Macmillan. Sepinwall, A. (2014), ‘Review: Matthew McConaughey & Woody Harrelson amaze in HBO’s True Detective ’, HitFix , 7 January, watching/review-matthew-mcconaughey-woody-harrelson-amaze-in-hbos-true-detective . Acessed 1 August 2014. St. Laurent, M. (2014), ‘America as Afterimage in True Detective ’, Sensitive Skin , . Accessed 1 August 2014. Thatcher, M. (1987), ‘Aids, education and the year 2000’, Women’s Own magazine , 31 October, accessed via /social/thatcher-society.htm. Accessed 1 July 2014. Travers, B. (2014), ‘ True Detective Emmys Loss: Why the TV Academy Got It Wrong (and HBO Had It Right)’, Indiewire , 25 August, emmys-loss-why-the-tv-academy-got-it-wrong-and-hbo-had-it-right-20140825 . Accessed 1 August 2014. Williams, Z. (2013), ‘David Tennant and Olivia Colman on what Broadchurch learnt from Scandinavian drama’, Radio Times , 4 March, 04/david-tennant-and-olivia-colman-on-what-broadchurch-learnt-from-scandinavian-drama. Accessed 1 July 2014. Zeller-Jacques, M.(2014), ‘Don’t Stop Believing: Textual Excess and Discourses of Satisfaction in the Finale of The Sopranos ’, in M. Stewart (ed.), Melodrama in Contemporary Film and Television , London & New York: Palgrave Macmillan. 114-129 List of Television Programmes The Bridge (2013-, US: FX) Broadchurch (2013-, UK: ITV) Bron/Broen / The Bridge (2011–, Sweden/Denmark: DR/SVT). Borgen (2010–2013, Denmark: DR1) Den Som Dræber / Those Who Kill (2011–, Denmark: TV2). The Fall (2013-, UK: BBC ) Forbrydelsen / The Killing (2007–2012, Denmark: DR). The Killing (2011-, US: AMC/Netflix) L.A. Law (1996-94, US: NBC) 25
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Livvagterne / The Protectors (2008–2010, Denmark: DR).
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