Why,
in
every conceivable way.
MITCH:
I'm
surprised
to
hear that.
BLANCHE:
Are
you?
MITCH:
Well,
I-<lon't
see how anybody could
be
rude
to
you.
BLANCHE:
It's really a pretty frightful situatiou.
You
see, there's
no
privacy here. There's just these portieres between the two
rooms
at
night.
He
stalks
through
the
rooms
in
his
under-
wear
at
·night.
And
I have
to
ask him
to
.
close
the
bath- .
room door.
That
sort
of
commonness isn't necessary.
You
probably wonder why 1
don't
move out. Wen,
rn
tell you
frankly. A teacher's sa1ary is barely sufficient
for
her living-
expenses. I didn't save a penny last year and so. 1
bad
to
come here for the summer. That's why I have
to
put
up
with my sister's husband.
And
he
has
to
put
up
with me,
apparently so much against his wishes. • • • Surely
he
must have told
you
how much
he
hates mel
MITCH:
I don't think
he
hates you.
BLANCHE:
He hates me.
Or
why would
he
insult me?
The
first time
I laid eyes
on
him I thought
to
myself,
that
man
is my
executioner
I
That
man
will
destroy me,
unless-
MITCH:
Blanche>-
BLANCHE:
Yes, honey?
MITCH:
Can
I ask you a question?
BLANCHE:
Yes. What?
MITCH:
How old are you?
[She
makes
a nervous gesture.}
93

I
; I
t'
I
I ,
I
,
,
SOENE
SIX
BLANCHE:
Why do you want
to
know?
MITCH:
I talked
to
my mother about you and she said,
"Howald
is
Blanche?" And I wasn't able
to
tell her.
[There
is
another
pause.]
BLANCHE:
You talked to your mother about me?
MITCH:
Yes.
BLANCHE: ·
Why?
MITCH:
I told my mother how nice you were,.-and I liked you.
BLANCHE:
Were you sincere about that?
MITCH:
You know I was.
BLANCHE:
Why did your mother want
to
know my age?
MITcH:
Mother is sick.
BLANCHE:
I'm
sorry
to
hear it. Badly?
MITCH:
She won't live long. Maybe just a few months.
BLANCHE:
Oh.
MITCH:
She worries because
I'm
not settled.
BLANCHE:
Oh.
MITCH:
She wants me
to
be
settled down before
she--[His voice
is
hoarse and he clears his throat twice, shuffling nervously
around with his hands in
and
out
of
his pockets.)
BLANCHE:
You love her very much, don't you?
94
SOENE
SIX
MITCH:
Yes.
BLANCHB:
I
think
you
have a great capacity for devotion. You
wiD
be
lonely when she passes on, won't you?
[Mitch clears
hJ.r
throat
and
nods.]
I understand what that is.
MITCH:
To be lonely?
BLANCHB:
I loved someone,
too,
and the person I loved I lost.
MITCH:
Dead?
[She crosseJ to the window
and
sitJ on the
sil"
look-
ing out. She pours herself another drink.]
A man?
BLANCHB:
He was a
boy,
just a boy, when I was a very·young
girl.
When I was sixteen,
1.
made the discovery-love. AIl
at
once and much, much too completely.
It
was like you sud-
denly turned a blinding light
on
something that had always
been
half
in shadow, that's how
it
struck the world for me.
But I was unlucky. Deluded.
There
was something different
about the boy, a nervousness, a softness and tenderness
which wasn't like a man's, although
he
wasn't the least
bit
effeminate
looking-<ltill-that
thing
was
there. . ••
He came
to
me
for help. I didn't know that. I didn't find
out anything
till
after
our
marriage when we'd
run
away and
come back and all I knew was
I'd
failed
birO
in some mys-
terious way and wasn't able
to
give the help


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- Summer '16
- jane gill
- Test, The Glass Menagerie, A Streetcar Named Desire, Who's Afraid of Virginia Woolf?, Stanley Kowalski, Stella Kowalski, Blanche DuBois, Sister Blanche, nadal Stella