Stoji\u0107 A 2006 Pragmalinguistic elements in tourist destination image formatio

Stojić a 2006 pragmalinguistic elements in tourist

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Blažević, N., Stojić, A. (2006). Pragmalinguistic elements in tourist destination image formation. Tourism and Hospi- tality Management , Vol. 12(1), p. 57–66. Bolan, P., Boyd, S., Bell, J. (2015). Displacement Theory – Probing New Ground in Film-Induced Tourism . Ulster: Department of Hospitality & Tourism Management. Busby, G., Klug, J. (2001). Movie-induced tourism: The challenge of measurement and other issues. Journal of Vaca- tion Marketing , Vol. 7(4), p. 316–332. Buttler, R. W. (1990). Alternative tourism: pious hope or Trojan. Journal of Travel Research , Vol. 28(3), p. 40–45. Čeikauskienė, M. (1997). Reklama ir firmos įvaizdis. Vilnius: Lietuvos informacijos institutas. Drūteikienė, G. (2005). Organizacijos įvaizdžio kūrimo procesas ir jo vadyba. Vilniaus universiteto leidykla. Evans, G. (2007). Creative spaces, tourism and the city. In: G. R. Wilson. Tourism, Creativity and Development . Abing - ton: Taylor & Francis group, p. 57–72. Gjorgievski, M., Trpkova, S. (2012). Movie Induced Tourism: A New Tourism Phenomenon. UTMS Journal of Eco- nomics , Vol. 3(1), p. 97֪–104.
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Donata Juškelytė FILM INDUCED TOURISM: DESTINATION IMAGE FORMATION AND DEVELOPMENT 66 Horrigan, D. (2009). Branded content: a new model for driving. Tourismos: an international multidisciplinary journal of tourism Tourism via film and branding strategies , Vol. 4(3), p. 51–65. Hudson, S., Ritchie, J. B. (2005). Film tourism and destination marketing: The case of Captain Corelli’s Mandolin. Journal of Vacation Marketing , Vol. 12(3), p. 256–268. Joliveau, T. (2009). Connecting Real and Imaginary Places through Geospatial Technologies: Examples from Set- jetting and Art-oriented Tourism. The Cartographic Journal: The World of Mapping , Vol. 46(1), p. 36–45. Kim, H., Richardson, S. L. (2003). Motion picture impacts on destination images. Annals of Tourism Research , Vol. 30(1), p. 216–237. Kim, S. (2012). Audience Involvement and Film Tourism Experiences: Emotional Places, Emotional Experiences. Tourism Management , Vol. 33(2), p. 387–396. Kvietkauskas, R. (2016). Lietuvos grožis pernai užsienio kino kūrėjus paskatino čia palikti milijonus eurų (S. Macijauskaitė, Interviewer). Lamakinaitė, M., Labanauskaitė, D., Baranksaitė, E. (2015). The evaluation of Lithuania’s touristicimage changes. Regional Formation and Development Studies , Vol. 3(17), p. 85–96. Macionis, N. (2004). Understanding the Film-Induced Tourist. In: W. C. W. Frost. Proceedings of the International Tourism and Media Conference . Melbourn: Tourism Research Unit, Monash University, p. 86–97. McKercher, B., Cros, H. D. (2002). Cultural tourism: the partnership between tourism and cultural heritage manage - ment. International Journal of Tourism Research , Vol. 5(3), p. 245–262. Morgan, N., Pritchard, A. (1998). Tourism Promotion and Power: Creating Images, Creating Identities. Cardiff: Wiley. NZIER report to Tourism New Zealand. (2014). 2013 Western market visitor growth: What explains the increase in advanced-economy visitors? Wellington: NZ Institute of Economic Research. Olsberg / SPI. (2007). Film London. Retrieved from : - ments/Research_Stately_Attraction_Tourism.pdf Papathanassis, A. (2011). The long tail of tourism: Holiday niches and their impact on mainstream tourism. Wiesbaden: Gabler.
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