Course Hero. "Fight Club Study Guide." Course Hero. 17 May 2017. Web. 15 Nov. 2018. <https://www.coursehero.com/lit/Fight-Club/>.
Course Hero. (2017, May 17). Fight Club Study Guide. In Course Hero. Retrieved November 15, 2018, from https://www.coursehero.com/lit/Fight-Club/
(Course Hero, 2017)
Course Hero. "Fight Club Study Guide." May 17, 2017. Accessed November 15, 2018. https://www.coursehero.com/lit/Fight-Club/.
Course Hero, "Fight Club Study Guide," May 17, 2017, accessed November 15, 2018, https://www.coursehero.com/lit/Fight-Club/.
The narrator runs into Marla at his weekly brain parasites support group, just as he expected he would. He finds her presence disturbing, and he can't lose himself in the upbeat Catch-Up Rap or the guided visualization. He seems to want to savor the news of group member Chloe's death, but Marla's presence blocks his enjoyment.
The narrator confronts Marla. She points out they each hold a threat over the other: "You tell on me ... and I'll tell on you." He proposes a compromise, splitting the week's groups and sharing bowel cancer night on alternate weeks. Marla will not compromise; she concedes nothing. For two years she went to funerals, but now the support groups give her "the real experience of death." Finally Marla gives one concession; the narrator can keep going to the testicular cancer group. He thanks her.
The narrator describes the people who come to the support group as brain parasites: "All the usual brain parasites are here tonight. ... This is Peter. This is Aldo." The narrator makes fun of the carefully positive language the support group uses: "Everyone's always getting better." The group's closing is jauntily called "Catch-Up Rap"; the actual parasites, the worms or microbes, are given the neutral name of "agents." Thus the narrator's private, scornful language works against the group's relentlessly upbeat language.
The narrator, however, acts as a kind of parasite himself. As he says, "Oh, and Marla's looking at me again, singled out among all the brain parasites." He uses a fake name and pretends to be sick with whatever the attendees have. Like a parasite, the narrator feeds on these support groups; the sick and dying people help him cope with his own life. Just like Marla, he is a "faker," as he acknowledges to himself: "Marla's the faker. You're the faker." He and Marla mirror each other, as much twins as he and Tyler.
Tyler is also a brain parasite, as the narrator and the reader eventually discover. He's a separate creature who lives off his host, the narrator. Tyler is a brain parasite because he's an invention of the narrator's mind. The narrator is also a character, created by Palahniuk.
The narrator imagines Chloe's impending death as a countdown, just like the ticking bomb that starts the book, or like a rocket: "Death will commence in seven, six ..." Like a space monkey strapped into a rocket, Chloe didn't willingly sign on for the trip to death. Like a building with a bomb inside it, Chloe carries something inside that will destroy her. Unlike a bomb, however, Chloe's brain parasite has no timer. The dying live like everyone else; at every moment, life seems to be just beginning.
The narrator would not agree with this. He takes pains to distance himself from the sick and the dying. The genuinely sick support-group members use a false language; the narrator refuses to share that language. Palahniuk, though, seems to have arranged things to point this out; he has Marla single out the narrator among "the other brain parasites." Thus Palahniuk knows things his nameless narrator doesn't.
The confrontation with Marla doesn't live up to the narrator's plans. She's not intimidated, and she gives no ground. When she finally makes a single concession, it underscores her power. Her concession sounds like a curse: "you can have testicular cancer." It's as though she wishes cancer on him or wishes he would have to undergo a surgical removal of the testicles.