Course Hero. "Silent Spring Study Guide." Course Hero. 8 Jan. 2018. Web. 23 Sep. 2018. <https://www.coursehero.com/lit/Silent-Spring/>.
Course Hero. (2018, January 8). Silent Spring Study Guide. In Course Hero. Retrieved September 23, 2018, from https://www.coursehero.com/lit/Silent-Spring/
(Course Hero, 2018)
Course Hero. "Silent Spring Study Guide." January 8, 2018. Accessed September 23, 2018. https://www.coursehero.com/lit/Silent-Spring/.
Course Hero, "Silent Spring Study Guide," January 8, 2018, accessed September 23, 2018, https://www.coursehero.com/lit/Silent-Spring/.
The book opens with a fable that describes a profound change taking place in a town affected by blight. The once vibrant and beautiful land turns silent and lifeless. Moreover, animals as well as people become ill and die. The cause is not witchcraft or an outside enemy, but rather, "the people had done it themselves," declares the writer.
The last section of the chapter explains the town is fictitious but all of the events are true, having happened somewhere. The author speaks directly to the reader, promising to explain the phenomenon that has "already silenced the voices of spring in countless towns in America."
Carson begins her nonfiction work in an unconventional way, with a fable. A fable is a brief narrative, a storytelling device that teaches a moral lesson. Using this device, Carson sets the stage for a central idea: pesticide use is not just a scientific issue but also an ethical one. Stories have the added benefit of creating a connection with the reader, as well as evoking emotion, rather than simply conveying information. Carson uses this device because her goal is not simply to inform her readers about the dangers of pesticides. She also wants them to care. She wants them to care enough to act on the information she will convey.
In this chapter Carson first draws the reader in by creating a vivid setting in small-town America. She creates the picture of life in its colorful splendor through each of the seasons. Readers can envision the world she describes because they can connect their own experiences with her description of nature.
But as with any good story, a problem emerges, complicating things. Living things become sick and die. The vibrancy is replaced with stillness and silence. The villain is revealed. And the villain is us.
Following the fable and the revelation of the cause, Carson steps out of the narrative and shocks the reader further by speaking directly. This is not just make-believe. Each of the incidents referred to in the fable has actually happened. Carson asks, "What has already silenced the voices of spring in countless towns in America?" Evidently she knows, as she has written this book in "an attempt to explain." She offers to be our guide, inviting us to step into this haunting but already-in-motion story with her. Carson conveys respect for the reader, assuming the reader will share her concern, once properly informed.