Works that have no apparent relationship to objects from
Work using flat-sided forms
Principles of design
Basic aesthetic considerations that guide organization of a work or art
- Organizing principal of design
- A sense of appropriatene
The tactile surface characteristics of a work of art that are either felt or perceived visually
Having height, width, and depth
Creation of an overhanging surface by carving material beneath away
What invention help
is pushing clay into itself to remove air bubbles and create a uniform, consistency.
when would caly explode?
if air is trapped in clay.
is cly, unfired clay. Greenware is very fragile.
is clay that has been fired but is not glaz
Referring to art that simplifies, emphasizes, or distorts qualities from an image rather
than art that tries to represent its surface details accurately.
A simple inner skeleton that provides support for modeling.
- The arrangement of
if it is not glazed.
Elements of 3-D art and design are:
Organizing principles of 3-D art are:
-Variety and contrast
-Balance: symmetrical/asymmetrical (radial symmetry, bila
- A simple inner structure that provides support for modeling with more pliable
materials, such as clay or wax
- A work made from objects or pieces of objects originally intended for other
- A form made by creating a mol
an artwork that is self-supporting and is designed to be viewed from all sides
the combination of shapes or volumes along a common edge
a three-dimensional form derived from or suggestive of geometry. Examples in
light that is bounced off a reflective surface back into space
light that has been bent as it passes through a prism
sculpture in which forms project out from a flat surface. The degree of projection ranges
from low to high.
a sense of wholeness through a successful combination of elements in an artwork. You
create unity by repetition, proximity, and balance
Artists create this by repeating a line, shape, or color in a consistent way
this can either be actua
Minimal art (abstract)
Extremely simplified art, using very few forms or colors, avoiding narrative and
representation of anything other than self
The works that have no apparent relationship to objects from our 3D world, usually the