The direction in which things move across the screen is also an editorial
concern. A car that exits the screen on the right is expected in a
subsequent shot to reappear on the leftotherwise the car could be
perceived as a different car coming from the opp
In the 1920s, Russian filmmaker Lev Kuleshov conducted a series of
experiments designed to demonstrate that when two separate shots are
projected in succession, the viewer assumes a connection between them.
In one experiment, Kuleshov spliced together a s