Daniel James Gonzalez
Joti Rockwell
Music in Theory and Practice
20 February 2013
Home Sweet Home as a Musical Chronotope
In the fifth chapter of the book Music and the Racial Imagination, Christopher A.
Waterman argues that Bo Chatmans 1928 hit song Corr
Daniel James Gonzalez
Professor Rockwell
Music in Theory and Practice
6 May 2013
A Gamelan Inspired Rag Bageshri
My piece, A Gamelan Inspired Rag Bageshri was inspired by three themes found in
either Gamelan and/or Hindustani music: coincidence, interlock
A Gamelan Style Rag Bageshri
Written By: Daniel James Gonzalez
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EXAM
3n4t13
Music 86
#1
Answer the following four questions, and pace yourself with about 10 minutes for each question.
You can use this sheet or additional ones if necessary. Answers shoul
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4t26t13
Music 86
EXAM#2
Answer the following four questions, and pace yourself with about l0 minutes for each question.
You can use this sheet or additional ones if necessary. Answers should be concise (1-2
paragraphs each) bu
Music 86, Spring 2013
Final CompositiorVPerformance Proj ect
For the final project, you will create an original composition according to the following
guidelines. Your composition is due and will be performed on May 15 (except for
Audrey, who will perform
Daniel James Gonzalez
Professor Rockwell
Music in Theory and Practice
27 February 2013
The Evolution of Modes
In his article Mode, Harold S. Powers discusses the development of the Western notion
of musical mode from the 6th to the 15th century. He explai
Daniel James Gonzalez
Professor Rockwell
Music in Theory and Practice
13 February 2013
Race and Modernity in Late 19th Century Music
By the late 19th century, America and Germany, highly industrialized societies, had begun
to grow fearful of the influence
Gonzalez l
Daniel James Gonzalez
Professor Rockwell
Music in Theory and Practice
30 January 2013
Elements of Folk Music and Symmetry in B6la Bart6k's "Six Dances in Bulgarian lthythm"
Hungarian composer B6la Bart6k, famous not only for his musical talent
Daniel James Gonzalez
Professor Rockwell
Music in Theory and Practice
12 May 2013
The Growth of Belief in Music: A Reflection on Four Distinct Concerts
Karen E. Linn, in her article The Elevation of the Banjo in Late Nineteenth-Century
America, argues tha
* We aren't endorsed by this school
