SUZANN E R EGAN
California State University.
STEPH EN TROPJANO
DU DLEY AN 0 REW
MATTH EW B ERNSTEI N
MiTCH ELL W. B LOCK
Direct Cinema Ltd.
Modern Hard Times: Chaplin and the Cinema of Self-Reflection
Author(s): Garrett Stewart
Source: Critical Inquiry, Vol. 3, No. 2 (Winter, 1976), pp. 295-314
Published by: The University of Chicago Press
Stable URL: http:/www.jstor.org/sta
The Film Peooer
Introduction: Toward a New History oi the Experimental Cinema
There is little room for playfulness or experimentation in contempOrary mainstream ﬁlmmaking.
The stakes are simply too high; the average ﬁlm costs between
Comparative Studies of South Asia, Africa and the Middle East, Volume
28, Number 1, 2008, pp. 20-37 (Article)
Published by Duke University Press
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Exilic and Diasporic Filmmaking
P R I N C E T O N
U N I V E R S I T Y
P R E S S
CHRONOTOPES OF IMAGINED HOMELAND
houses (which burn down), fake houses (in which Noah's pseudofamily lives,
which also burns), or transi
NARRATION IN FICTION FILM
Narrative- Narrative consists of the elements of the story and and the story itself. In daily
language the narrative is also referred as the content. What is told in the film is a part of
narrative. The events, the characters, th
The Key Concepts
LONDON AND NEW YORK
A first definition
Cinema makes absence presence; what is absent is made present. Thus, cinema is about illusion.
It is also about temporal illusion in that t
"Cronenberg, Flyness, and the Other-self"
Cinmas: revue d'tudes cinmatographiques/ Cinmas: Journal of Film Studies, vol. 4, n 2, 1994, p. 153173.
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