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Brooklyn School For Music & Theater

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Brooklyn School For Music & Theater ** School Info Brooklyn School For Music & Theater has 3 departments in Course Hero with 48 documents.

Brooklyn, New York

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Brooklyn School For Music & Theater Documents (48)

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9 pages
- charlton_ch_42_rev
- Brooklyn School For Music & Theater
- Music
- MUSIC Musictoday - Summer 2013
- Chapter 42 Fusion of Cultures Music has always been transnational; people pick up whatever interests them, and certainly a lot of classical music has absorbed influences from all over the world. YoYo Ma, cellist (born 1955) Music from Spain Spain has abs
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9 pages
- charlton_ch_41_rev
- Brooklyn School For Music & Theater
- Music
- MUSIC Musictoday - Summer 2013
- Chapter 41 Influences from Africa and the Middle East Every time I open a newspaper, I am reminded that we live in a world where we can no longer afford not to know our neighbors. Yo Yo Ma, cellist (born 1955) African Music Music is part of everyday livi
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10 pages
- charlton_ch_38_rev
- Brooklyn School For Music & Theater
- Music
- MUSIC Musictoday - Summer 2013
- Chapter 38 Film Music [I]n film composing, youre not in full control of it the way you are in concert musicso the risk of compromise, or dilution of idea or structure, is great. In film, its the directors vision, even of the music, that prevails, whereas
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11 pages
- charlton_ch_37_rev
- Brooklyn School For Music & Theater
- Music
- MUSIC Musictoday - Summer 2013
- Chapter 37 Rock Music I was the originator, I was the emancipator, I was the architect of rock n roll. . . . When I made rock n roll I got tired of the old peoples music of that time. I did it because thats what I wanted to hear. I was tired of the slow m
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9 pages
- charlton_ch_40_rev
- Brooklyn School For Music & Theater
- Music
- MUSIC Musictoday - Summer 2013
- Chapter 40 Influences from India Music is the universal language of mankindpoetry their universal pastime and delight. Henry Wadworth Longfellow, poet (1807-1882) Indian Music Cultural heritage divided by two traditions Muslim culture in north Hindu cult
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11 pages
- charlton_ch_39_rev
- Brooklyn School For Music & Theater
- Music
- MUSIC Musictoday - Summer 2013
- Chapter 39 Influences from Indonesia and China When you learn something from people, or a culture, you accept it as a gift, and it is your lifelong commitment to preserve it and build on it. YoYo Ma, cellist (born 1955) Indonesian Gamelan Music Gamelan i
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7 pages
- charlton_ch_36_rev
- Brooklyn School For Music & Theater
- Music
- MUSIC Musictoday - Summer 2013
- Chapter 36 Musical Theater Our attitudes control our lives. Attitudes are a secret power working 24 hours a day for good or bad. It is of paramount importance that we know how to harness and control this great force. Irving Berlin, composer and pianist (1
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12 pages
- charlton_ch_35_rev
- Brooklyn School For Music & Theater
- Music
- MUSIC Musictoday - Summer 2013
- Chapter 35 Electronic Music versus Acoustic Music Composition is notation of distortion of what composers think they have heard before. Masterpieces are marvelous misquotations. Ned Rorem, composer and writer (born 1923) Musique concrte Electronic music
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9 pages
- charlton_ch_34_rev
- Brooklyn School For Music & Theater
- Music
- MUSIC Musictoday - Summer 2013
- Chapter 34 American Nationalism The way to write American music is simple. All you have to do is be an American and then write any kind of music you wish. Virgil Thompson, composer and critic (1896-1989) Charles Ives Born in Danbury, Connecticut, 1874 F
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9 pages
- charlton_ch_33_rev
- Brooklyn School For Music & Theater
- Music
- MUSIC Musictoday - Summer 2013
- Chapter 33 American Classical Music Influenced by Early Jazz True music . . . must repeat the thought and inspirations of people and the time. My people are Americans. My time is today. George Gershwin, composer (1898-1937) George Gershwin (1898-1937) Bo
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11 pages
- charlton_ch_31_rev
- Brooklyn School For Music & Theater
- Music
- MUSIC Musictoday - Summer 2013
- Chapter 31 Early Jazz Styles Maybe our forefathers couldnt keep their language together when they were taken away from Africa, but thisthe blueswas a language we invented to let people know we had something to say. And weve been saying it pretty strong ev
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9 pages
- charlton_ch_30_rev
- Brooklyn School For Music & Theater
- Music
- MUSIC Musictoday - Summer 2013
- Chapter 30 American Music before World War II When I hear music I fear no danger, I am invulnerable, I see no foe, I am related to the earliest times and to the latest. Henry David Thoreau, writer (1817 1862) The Seventeenth Century Native Americans had
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7 pages
- charlton_ch_32_rev
- Brooklyn School For Music & Theater
- Music
- MUSIC Musictoday - Summer 2013
- Chapter 32 Developments in Jazz in the Late Twentieth Century This human thing in instrumental playing has to do with trying to get as much human warmth and feeling into my work as I can. I want to say more on my horn than I ever could with ordinary speec
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8 pages
- charlton_ch_29_rev
- Brooklyn School For Music & Theater
- Music
- MUSIC Musictoday - Summer 2013
- Chapter 29 Germanic Expressionism and the Development of Serialsim I occasionally play works by contemporary composers for two reasons. First to discourage the composer from writing any more and secondly to remind myself how much I appreciate Beethoven. J
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8 pages
- charlton_ch_28_rev
- Brooklyn School For Music & Theater
- Music
- MUSIC Musictoday - Summer 2013
- Chapter 28 Eastern European Nationalism His pagan barbarity, his explosive and angrily defiant melancholy, his demoniacal instinct . . . these are all echoes . . . of the thousand-year-old Hungarian psyche. Emil Haraszti, writer Bla Bartk (1881 -1945) So
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10 pages
- charlton_ch_27_rev
- Brooklyn School For Music & Theater
- Music
- MUSIC Musictoday - Summer 2013
- Chapter 27 Primitivism and Neoclassicism I dont write modern music. I only write good music. Composer Igor Stravinsky (1882-1971) Primitivism in Visual Arts Influenced by World Exhibition of 1889 in Paris Flat, colorful shapes, lack of perspective Exem
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9 pages
- charlton_ch_25_rev
- Brooklyn School For Music & Theater
- Music
- MUSIC Musictoday - Summer 2013
- Chapter 25 Romantic German Opera I wish I could write librettos for the rest of my life. It is the purest of human pleasures, a heavenly hermaphroditism of being both writer and musician. No wonder that selfish beast Wagner kept it to himself. Writer Sylv
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12 pages
- charlton_ch_24_rev
- Brooklyn School For Music & Theater
- Music
- MUSIC Musictoday - Summer 2013
- Chapter 24 Romantic Opera in France and Italy Nothing primes inspiration more than necessity, whether it be the presence of a copyist waiting for your work, or the prodding of an impresario tearing his hair. In my time, all the impresarios of Italy were b
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7 pages
- charlton_ch_26_rev
- Brooklyn School For Music & Theater
- Music
- MUSIC Musictoday - Summer 2013
- Chapter 26 Impressionism and Symbolism Music is the arithmetic of sounds as optics is the geometry of light. Composer Claude Debussy (1862 1918) Impressionism in Music: A Definition Rejected heavy, serious quality of German romanticism Fragile and decor
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12 pages
- charlton_ch_23_rev
- Brooklyn School For Music & Theater
- Music
- MUSIC Musictoday - Summer 2013
- Chapter 23 The Romantic Traditionalists How can one express the indefinable sensations that one experiences while writing an instrumental composition that has no definite subject? It is purely a lyrical process. It is a musical confession of the soul, whi
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9 pages
- charlton_ch_20_rev
- Brooklyn School For Music & Theater
- Music
- MUSIC Musictoday - Summer 2013
- Chapter 20 The Concert Overture Music is a code that opens a door to a world everybody interprets differently because our aesthetic and sensory values are different and each generation has to discover its own. Yo-Yo Ma, cellist Peter Ilyich Tchaikovsky (1
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9 pages
- charlton_ch_22_rev
- Brooklyn School For Music & Theater
- Music
- MUSIC Musictoday - Summer 2013
- Chapter 22 Romantic Choral Music I once sent him a song and asked him to mark a cross wherever he thought it was faulty. Brahms returned it untouched, saying, I dont want to make a cemetery of your composition. Composer Hugo Wolf (1860-1903) The Choral Tr
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6 pages
- charlton_ch_21_rev
- Brooklyn School For Music & Theater
- Music
- MUSIC Musictoday - Summer 2013
- Chapter 21 The Romantic Concerto As a child I was impelled to the violin, it seemed to respond to a desire for self-expression. The violin. . . is part nearly of the body, vibrates with it. . . The tone is something which you make alone, it is flexible, i
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6 pages
- charlton_ch_19_rev
- Brooklyn School For Music & Theater
- Music
- MUSIC Musictoday - Summer 2013
- Chapter 19 Nationalism The history of Western music has had much to do with the progressively making explicit of what nature leaves implicit. Anthony Burgess Nationalism Self-conscious, aggressive nationalistic feeling flared up in literature and music
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15 pages
- charlton_ch_15_rev
- Brooklyn School For Music & Theater
- Music
- MUSIC Musictoday - Summer 2013
- Chapter 15 The Music of Beethoven "You can't possibly hear the last movement of Beethoven's Seventh and go slow." -Oscar Levant to the police officer who stopped him for speeding when he had been listening to the last (fast) movement of Beethoven's Sevent
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5 pages
- charlton_ch_18_rev
- Brooklyn School For Music & Theater
- Music
- MUSIC Musictoday - Summer 2013
- Chapter 18 Program Music After silence, that which comes nearest to expressing the inexpressible is music. Aldous Huxley Hector Berlioz (1803 -1869) Born in Grenoble, France Son of physician, sent to medical school in Paris Quit study of medicine to pu
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15 pages
- charlton_ch_16_rev
- Brooklyn School For Music & Theater
- Music
- MUSIC Musictoday - Summer 2013
- Chapter 16 Romantic Songs No one understands anothers grief, no one understands anothers joy. . . . My music is a product of my talent and my misery. And that which I have written in my greatest distress is what the world seems to like best. Franz Schuber
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11 pages
- charlton_ch_3_rev
- Brooklyn School For Music & Theater
- Music
- MUSIC Musictoday - Summer 2013
- Chapter 3 Musical Instruments and Ensembles The flute is not an instrument with a good moral effect. It is too exciting. Aristotle Voices and Vocal Ensembles Female (or boys) Soprano Mezzo soprano Alto (contralto) Male Tenor Baritone Bass Mixed choir (
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9 pages
- charlton_ch_17_rev
- Brooklyn School For Music & Theater
- Music
- MUSIC Musictoday - Summer 2013
- Chapter 17 Romantic Piano Music Bach is like an astronomer who, with the help of ciphers, finds the most wonderful stars. . . . Beethoven embraced the universe with the power of his spirit. . . . I do not climb so high. A long time ago, I decided that my
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9 pages
- charlton_ch_14_rev
- Brooklyn School For Music & Theater
- Music
- MUSIC Musictoday - Summer 2013
- Chapter 14 Classical Vocal Music I like an aria to fit a singer as perfectly as a well-tailored suit of clothes. Wolfgang Amadeus Mozart, in a letter to his father, February 28, 1778 Haydns Vocal Music Opera was important part of activity at Esterhzy pal
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